What If You Don't Feel Like Singing?

   It has been a rough year for many singers during the pandemic. I hope you have stayed healthy and have found ways to keep singing. I’ve been very impressed by my students this year. Some have really used their extra stay-at-home time to double-down on practicing. Some have been working on sets of songs in preparation for when we’re all free to go to concerts again. Some have been live-streaming to stay in touch with their fans. And one go-getter student gigged steadily from the summer until now, all at outside/distanced shows.

    But some of us have been too challenged by 2020 to do much besides scrape by and watch too much TV. I have singer friends who haven’t sung in months. If this sounds like you don’t let your lack of singing or practicing get you down. It’s enough right now to just get through the pandemic, you don’t have to do more than that. Singing will still be there when you feel like singing again.

     If you don’t feel like singing but you really want to get or keep your voice going, try the baby steps approach: 

1. Once a day sing a song, any song, a cappella.
2. If songs feel too emotional set a timer for 5-10 minutes and sing some of your warmups. Just a small bit of singing can help you retain your vocal strength and technique, and since endorphins are released when we sing it might also brighten your mood.
3. Forget songs and warmups: just make some sounds. They might be out-of-tune, silly, sing-songy, or weird. Just let yourself vocalize in some way. Do it in the shower if you’re worried about others hearing you.
        I have done all of the above at various times this year!

        If you are like my singer friend who completely stopped singing last spring but are now ready to bring your voice back, go slowly as you let your vocal cords and singing habits reawaken. Sing small-range songs. Perhaps only do the earlier, easier parts of your warmup. You may need to pay more attention to breathing and facial resonance for awhile. If you can do lip trills (also called lip rolls or motorboating) and/or tongue rolls do a lot of them: loose ones, or over scales or songs. I show you these starting at 2:54 of my video “Singing When You’re Sick”.
    If you’re really feeling rusty or having difficulties bringing your voice back, my method The Vocal Recovery Warmup can help. It includes several warmups of varying levels of difficulty, plus lots of instruction. One of my students, who sings professionally, still uses the last set of exercises as his daily warmup. Make sure to read the pdf guidebook that comes with the download, the audio lessons can be used alone but using them in tandem with the book is much more effective.

    I hope we all get to sing with each other and for each other, IN PERSON, in 2021!

Sometimes Dreams Come True

Anyone who has every tried to get anywhere in the music business knows that getting a record deal or having your song cut is like winning the lottery--it’s next to impossible. So it’s wonderful to see someone who is talented and deserving actually get somewhere in this occasionally heartless biz.
    I met Kelleigh Bannen a few years ago in Barbara Cloyd’s Pitch to Publishers songwriting workshop. I liked her immediately--she was very pretty and friendly, and appeared to have a brain. During the workshop she played a song live and in my humble opinion I thought she had a great voice, but she needed to strengthen her guitar and performance chops. After the workshop we wrote a few songs together, including one I liked so much that I recorded it for my album Swimmer. While writing we hung out a bit and talked a lot about her career path. She was totally open to any feedback I had, and was very focused on doing anything she could to improve as an artist.
    Though she was clearly talented, she was one of hundreds, if not thousands of talented artists trying to get somewhere in Nashville. So during the couple of  years Kelleigh worked her butt off and did the following:
• Worked on her guitar playing.
• Gigged whenever possible.
• Took even more singing lessons, though she’d been studying since she was a teen.
• Recorded and released an album on her own.
• Followed every lead possible to meet with industry people.
• In an effort to stand out in the crowd, she organized and did a “90 Gigs in 90 Days” tour. If you booked her to play in your closet, she did it. As her website says, she did it “In honor of my little brother who passed away after a long battle with addiction.” (Just in case you think her life has been a bed of roses.)
• Because of the tour she got a meeting with producer Paul Worley, who proceeded to mentor her, sign her to his publishing company, and then set her up with a bunch of high profile songwriters.
• Spent almost every waking minute for many months writing with different songwriters, proving to Paul she had staying power.
• Recorded with Paul, who then got her a deal with Capitol Records.
• Knowing that getting a deal was not the end of the story but one more rung in the ladder, she then did everything she could to prove to the label that she was worthy. She gigged, kept practicing, and kept writing.

         Last fall I took a student of mine to see Kelleigh play, and saw how she had transformed herself through sheer hard work. She had retained her smarts, sense of humor and friendliness, but the non-stop writing, practicing and gigging had paid off. Her voice was better than ever, her guitar playing was confident, her songs were powerful, and her performing was completely professional and passionate. She exuded star quality and charisma, but in a very open, down-to earth way.
    Signing with a label doesn’t mean that you’ll ever release a thing. Some artists sign with labels like Capitol and then spin their wheels for years, recording and gigging, until finally the label lets them go. Two years after she signed her deal, Kelleigh’s first single came out. She debuted at the Grand Old Opry last week, and posted on Facebook a picture she took from onstage at another gig with the comment “This is what 25,000 people looks like!”.
    We chatted this week about how to keep one’s voice strong with the demands of multiple radio meet-and-greets and a demanding tour schedule. She’s on her way, and she deserves to do well. Rock on, Kelleigh!

How to Turn Vocal Cords Into Corn Flakes: Singing Vs. Air Conditioning

Yesterday I started warming up a very gifted student of mine and her singing sounded like her vocal cords were made of corn flakes. “You sound air-conditioned out,” I said. “Huh?” she replied. “Do you run your AC at night?” I asked. “Yes, I blast it,” she answered. “Is that a problem?”

I don’t know how she missed all my ranting about air-conditioning and what it does to the voice, but in case you have missed it too, here goes: Vocal cords like to be moist. Air-conditioning cools the air by pulling moisture out of it. Breathing air-conditioned air dries out your vocal cords.

Remember Border’s Books? I was playing a gig at the west Los Angeles Borders in the late 1990s. It was icy in there from the AC. I was wailing away when all of a sudden: no voice. Gone, just like that. It was a duo performance with my drummer pal Albe Bonacci, so I squawked a barely audible: “Drum solo!” and dove for my water bottle. Once I was hydrated my voice returned enough to finish the show. Later I read that it was zero humidity in LA that day, and the Borders AC was drying the air who knows how much more. My poor vocal cords didn’t stand a chance.

Some singers are more affected by AC than others. Before that show I’d noticed some vocal dryness from AC, but I’d never experienced just how much it can mess with the voice.

We had a very mild winter and spring here in Nashville, Tennessee, which does not portend well for the summer. On Cinco de Mayo I sat sweating in the park, watching the wonderful Fisk Jubilee Singers. It was 90 degrees at 5 PM in early May and I thought “We’re in for it this summer”. AC is necessary when it gets really hot. What’s a singer to do?

1) Ceiling fans. Some think they are bad since they can blow dust and other allergens around, but I love them. Just wipe the dust off the blades periodically.

2) Build up your tolerance for heat. When students aren’t around I keep my thermostat set at 80 degrees. No kidding. 82 at night, and that’s for my labrador's sake since she can’t take off her coat. It’s the green thing to do, too.
Last summer the government of Japan requested that the country's workforce keep the thermostats in their office buildings set at 82.

3) Wear light clothing made of breathable fabric like cotton and silk.

4) Drink gobs of water, room temperature. A gallon a day at least, says Carlton Lee, the LA voice doctor I sent all my students to when I lived there. See my article on what singers should eat and drink for more on that.

5) If it’s really hot and you must run your AC, run a humidifier as well to put some moisture back in the air. Cool mist humidifiers won’t heat the air, but regular cheap humidifiers are often quieter, so take your pick. I use the latter.

While I’m ranting, what’s up with movie theaters, restaurants, museums etc. where the thermostat is set at 62 in the summer and 72 in the winter? There I’ll be in my nice summer dress in July, shivering away. My local movie theater finally changed its ways this year, but before that I was taking my down jacket with me to summer movies. Don’t the owners of these places realize how much money they’ll save on power bills by adjusting the thermostat a bit? Not to mention conserving energy.

Okay, back to singing:

6) Warm up and do your practicing early in the day, before the heat rises and the AC kicks on.

7) Warm up and sing in the shower where it’s good and steamy.

8) If you live in humid places like Tennessee, take breaks while singing and go outside to get some moisture on your vocal cords.

Don’t think that celebrities are immune to the effects of AC. When Celine Dion had her zillion dollar concert hall built for her in Las Vegas she made sure it was humidity controlled. Plus there’s a steam room backstage for her voice. Sounds good to me!

How I Con Myself Into Warming Up

I am as busy, lazy and and/or distracted as the next singer. But I know I sing better if I warm up. Here are ten ways I can con myself into warming up my voice.

1] Location Location Location: My warm up CD is always in my stereo and in my car. When I turn on the car it starts playing, and before I can think to switch to the radio I’m singing instead.

2] Bribery: No lunch until I’ve warmed up.

3] More Bribery: No working on that song I’ve started writing until I warm up.

4] Even More Bribery: No singing that cool song I just learned until I’ve warmed up.

5] Habit: I try to warm up at the same time every day.

6] Schedule a Performance: There is nothing like the fear of doing poorly in front of an audience to get me practicing.

7] Combine It With a Mundane Task: I can do simple initial warm ups while doing the dishes or watering the plants. By the time I get to the harder songs or exercises (where I need to stop and focus) momentum keeps me going.

8] Competition: I watch one astonishing singer or another on Youtube and it puts the fear into me of not keeping up. Even better is:

9] Inspiration: I watch an astonishing singer on Youtube and it makes me want to sing. But I don’t get to sing songs until I’ve warmed up (see “Bribery”)

10] Motivation: I read blogs like this one!

...But My Voice Won't Let Me

For the first time since I was sixteen (when I was too young and dumb to appreciate it) I went on a vacation to Europe, specifically Paris, Tuscany and Rome. It was crazy, wonderful, and inspiring, but halfway through the trip I was laid low by the worst chest cold I’d had since I can remember, which ravaged my vocal cords and left me with less than a whisper for several days. It has now been almost three weeks and I’m just beginning to be able to croak out a couple of notes.

I’ve heard that Frank Sinatra would fall into a deep depression whenever he got sick and couldn't sing. Me, I just get thoroughly pissed off. Not being able to sing is like temporarily losing my left pinkie: I can manage without it, but I don’t feel whole. Plus, it takes awhile to build up vocal strength, and regaining that after an illness, especially a longer one like mine, takes more than a couple of days. So laryngitis and dealing with colds is on my mind. A few thoughts:

• Some singers have asked me if they should still sing when they are sick. I had a voice coach who told me that unless you have strep throat you should do your warm ups, but I think that’s insane. If it hurts to sing you should probably rest your voice if you can. If what you have is mild allergies or a head cold that is sitting in your nose and not your throat, then you can probably sing through it. It’s when the cold has irritated your cords that you could further the irritation by singing.

• If you’re sick and have a gig or rehearsal that night and the show must go on: rest your voice, drink fluids, inhale steam, hum. Unless you are really sick, the adrenaline of performing often will knock out most your cold symptoms for the duration of the gig. You can try rubbing Preparation H on your adam’s apple since it shrinks tissue and may shrink some of vocal cord inflammation.

• What do the famous singers do when they get sick and have a huge concert that night? Some get steroids shot right into their vocal cords. This reduces the swelling enough to get them through the show, but the next day there’s a slap-back effect and they lose their voice for the day. I’ve been told by someone in his inner circle that Marilyn Manson used to book his tours as a series of three days on and one day off: He’d scream through the first two days of shows, lose his voice and get a steroid shot to make it through the third day, then lose his voice the fourth day and wait for it to come back. Then the cycle would start again. This is not a plan I’d recommend!

• What about tea, honey and lemon? Honey is soothing. Citrus will dry your vocal cords. So will tea, though not as much as citrus. Theoretically, if your throat is full of crud and you figure out the right cocktail of tea and lemon that dries it out but doesn’t overly dry it, it could help. But it’s the steam in tea that really can soothe. I’d vote for herbal tea and honey just to be safe.

When your voice is starting to return:

• Breathe, breathe, breathe. We all get pooped and breathe more shallowly when we’re sick, so the first thing to get back are those good, full singer’s breaths.

• Go slow. Your vocal cords have been roughed up for a chunk of time and probably are still tender. Start with easy warm ups and songs.

If you, too, have a cold, you have my sympathy. No one likes getting a cold, but singers are hit especially hard. Let’s all get and stay healthy, then let’s make a vow to wash our hands more and cover our mouths when coughing and sneezing to reduce the spread of germs. It'll help reduce the amount of grouchy sick singers pacing the earth, waiting for their voices to return.

Fear of Flat Notes

Sometimes I think that the single greatest fear a singer has is singing flat (more singers go flat than sharp when they sing out of tune.) Which is crazy, since it really is easy to sing out of tune, when you look at the forces that can pull you off pitch: lack of sleep, allergies, menstruation, no breath support, and bad sound systems, to name a few. I know all this and I don’t care: I just want to sing in tune all the time.

Maybe it’s a spiritual thing, maybe that magical locking in of voice to instrument in perfect tune is akin to living life perfectly gracefully. But life ain’t perfect and neither is my intonation. I know when I’m singing or listening to other singers that soul, heart and feel are paramount. Still, if I hit a flat note I expect the earth to open and swallow me for my sin.

Let’s talk about auto-tuned vocals. There may still be a few of you who are unaware of it-- it’s a technology by which out-of-tune vocals are fixed digitally. Sometimes you can hear that the vocal has been processed, sometimes you can’t. For awhile the overly auto-tuned sound was a fixture only in pop music, but now the overly auto-tuned sound, with that weird robot frosting on it, is everywhere. I expect to hear it on classical recordings any day now. T-pain singing Aida, anyone?

When I listen to great singers who lived before the advent of auto-tuning, singers like Marvin Gaye, Frank Sinatra, Billie Holiday, I hear them each hit a clunker now and then. Not the end of the world. They’re still magical singers. But now the vast majority of recorded vocals we hear are processed and perfectly in tune. Our ears are used to it, and we’re starting to expect that kind of perfection from everyone. It’s not just from the Beyonces of the world being auto-tuned. That down and dirty scratchy voiced soulful indie singer-songwriter you love has probably had a few notes “fixed in the mix” as well.

Used to be that all the pitch correction happened after the vocal was recorded. Now on-board pitch correction allows someone singing live to be pitch corrected before the voice goes out through the speakers to the audience. I wonder if soon there will be a little neck implant personal pitch correction device, so we never have to worry about singing out of tune, whether we’re singing at a stadium or in the shower. I’m afraid I would rush out and get one immediately. Because I’m as obsessed with singing in tune as most singers. I freak out when I hear my recorded voice singing a flat note, and I rush to auto-tune it away before anyone else hears it. The knowledge that technology can fix my occasional out note is no comfort, it’s more like a like a slap in the face. I know that I must be a lesser human being because of my reliance on technology.

Last year an astrologer gave me a free reading to thank me for a singing method of mine that he’d gotten from the library. In the middle of the long, detailed reading, while he was telling me something about my health, he suddenly blurted out “...And you, know, just go out there and sing, and so what if you hit some flat notes, it doesn’t matter, just go do it!”

So I will heed his advice, after a reasonable amount of practicing, that is. I will go out in the world and sing, and hit some clunkers, and sing anyway.

My dog, the diva

    My dog Artie howls when I sing. He is very discerning. It’s only when I sing, no other singers live or recorded move him to vocalize. It’s only on certain warm up exercises and songs, but the list is long and ever-growing. He howls on Lean On Me, Over the Rainbow, The Lion Sleeps Tonight, Can’t Help Falling in Love and many other standards, plus several of my own songs including I Can’t Fix You and Finally Love. It sounds like he’s in agony and wants me to stop singing, but sometimes he wags his tail at the same time. Occasionally, if he’s feeling lazy, he’ll stay on the bed at the other end of the house and howl while I’m warming up in the kitchen. My friend Lauren says on those occasions he’s just phoning it in. But usually he trots to wherever I’m singing and starts his earsplitting caterwaul. If he hears me singing on CD he howls, too. He has great breath support: he howls from the diaphragm with impressive volume and endurance. Darn it.
    I adopted Artie in 2003, he started howling in 2004 and hasn’t stopped since. At first I thought he just wanted attention, so I tried an experiment. I changed the verse of one of the songs that set him off and instead sang lyrics about how great Artie is. He stopped howling for a minute and I thought I’d found the solution, but then his howling started up again. Then I changed one of my warm ups exercises so I now I sing “Artie is the best boy in the world”. That one makes him howl louder than the others. My other rescue dog Ruby just sits there listening when I sing, thank God. As soon as I stop singing Artie stops, too.
    I know it sounds cute, but it’s incredibly annoying and makes it very difficult to practice. I love Artie a lot, but not his howling. When the weather is warm I can put him outside, and sometimes that distracts him enough so he forgets to howl when he comes back in through the dog door. But lately he’s onto me and won’t go outside when I’m singing. I’ve tried howling along with him, giving him treats, and on a dog trainer’s recommendation, walking him around the house to distract him. He continues to howl.
    In frustration I contacted an animal psychic --go ahead, mock me. She told me that Artie thinks he’s a much better singer than I am and is trying to drown me out. It’s not that he thinks I’m a bad singer, just that he’s much better. So we’ve got a Black Swan situation here, my beloved dog wants to be the top diva in the house. At least I have an excuse if  I hit a clunker at a gig-- it’s Artie’s fault for disrupting my concentration during rehearsals.
    Think I’m exaggerating? Go to my site here and listen to exhibit A.